Why Gear Acquisition Syndrome (G.A.S.) Matters: A Theory of Musicians’ Obsession with Equipment

What is it about?

This chapter summarises the key findings about Gear Acquisition Syndrome (G.A.S.), a phenomenon where musicians feel a strong desire to buy and collect instruments and gear. It offers a framework to understand why G.A.S. happens, exploring the emotional, social, and creative motivations behind it. The chapter also discusses how G.A.S. shapes musicians’ identities and relationships with their tools, and why it has become a defining part of music culture. By drawing together insights from previous chapters, this conclusion provides a comprehensive theory of G.A.S. and its impact on musicians and the music industry.

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Photo by Austin Prock on Unsplash

Photo by Austin Prock on Unsplash

Why is it important?

This chapter is unique in presenting a comprehensive theory of Gear Acquisition Syndrome (G.A.S.), synthesising psychological, social, and cultural insights into a cohesive framework. Unlike previous discussions that treat G.A.S. as a lighthearted or purely consumer-driven phenomenon, this work explores its deeper impact on musicians’ creativity, identity, and community engagement. The research is timely as digital marketplaces and social media have amplified G.A.S., making it a more prominent aspect of contemporary music culture. By providing a nuanced understanding of how and why G.A.S. shapes musicians’ behaviours and relationships with their tools, this work offers valuable insights for scholars, industry professionals, and musicians seeking to reflect on their practices.