Why Musicians Collect Gear: The Psychology and Culture Behind Musical Equipment Collections

What is it about?

This chapter explores the concept of collecting, particularly focusing on how it relates to musicians acquiring gear. It discusses how collecting goes beyond mere ownership, involving strategic and often emotional behaviours to acquire and preserve items that hold cultural, social, or personal value. Drawing on various theories and studies, the chapter examines the motivations behind collecting, its connections to Gear Acquisition Syndrome (G.A.S.), and how these practices reflect identity, community, and status within music culture. By offering a framework for understanding the overlaps and differences between collecting and G.A.S., the chapter provides valuable insights into why musicians are so deeply drawn to their instruments and equipment.

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Photo by Austin Prock on Unsplash

Photo by Austin Prock on Unsplash

Why is it important?

This chapter is unique in its focus on the intersection of collecting behaviour and musical culture, particularly as it relates to musicians acquiring gear. While collecting has been widely studied in other contexts, this work highlights how musicians' gear collections go beyond functionality to reflect personal identity, artistic aspirations, and subcultural belonging. The chapter is timely as the rise of digital marketplaces and online communities has transformed how musicians buy, sell, and discuss gear, amplifying the cultural significance of collecting. By connecting collecting practices to creativity and community, this research provides valuable insights for musicians, scholars, and industry professionals interested in the psychological and cultural dimensions of musical equipment.