Stories
- ArticleThe Reproachful Head of the Green Knight: Exploring the eerie, liminality, deep time and duration in ‘Sir Gawain and the Green Knight’
- ArticleA Sentimental Android? M3GAN (2022) and Monstrous Doubling as a Negotiation of the Gendered Neo-Liberal Self
- ArticleInterrogating glamour: piercing visual pleasure, an antidote to passive spectatorship
- ArticleSeeing the xenomorph, Giger’s alien in the context of machinic modernism
- ArticleRepresenting: Sir Gawain and the Green Knight
- ArticleThe Abortive Superman, Übermensch as monster in the work of Panos Cosmatos
- ArticleJames VanDerZee's photographs of the Black middle-class living in 1920s Harlem
- ArticleEarly 20th century representations of Mexico City in the photography of Agustin Victor Casasola
- ArticleRepresentations of the modernization of Rio in Revert Henrique's Photography
- ArticlePlanetary thinking: Re-encountering Nancy Holt’s and Robert Smithson’s Mono Lake (1968–2004)
- ArticleReflections of Durbar in the Diaspora
- ArticleA platform for musical rehearsal in Virtual Reality
- ArticleDrag expressions on social media
- ArticleHeavy Metal Battle Jackets and Authenticity
- ArticleRepresentations of Caraqueño Modernity in the Photography of Tito Caula
- ArticleRandomness and chance as Writing Methodology
- ArticleTelevision will archive itself: Channel 4’s role in revalorising ‘old’ TV
- ArticleMethod Illustration
- ArticleHoles in Lace
- ArticleDrawing the Borderline
- ArticleAesthetic autonomy and the beholder's share
- ArticleMapping creative industries of Bangladeshi heritage, case study of Oitij-jo