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  1. A Meta-Analysis of Music Emotion Recognition Studies

    Article • ACM Computing Surveys, February 2026, ACM (Association for Computing Machinery)

    Prof Tuomas Eerola

  2. Measure of Emotional Episodes with Music (MEEM): development and psychometric evaluation of a modular instrument

    Article • February 2026, Center for Open Science

    Prof Tuomas Eerola

  3. The influence of consonance–dissonance contrasts on perceived pleasantness of concluding tonic chords in short chord sequences

    Article • Psychology of Music, January 2026, SAGE Publications

    Dr Imre Lahdelma, Prof Tuomas Eerola

  4. Rhythm Cycle Alignment Task (RCAT). Cross-Cultural Differences in Aligning to Long Rhythmic Cycles from North Indian Classical Music.

    Article • January 2026, Center for Open Science

    Prof Tuomas Eerola

  5. A genre-specific structure of subjective feeling in music listening: What do qawwālī listeners feel?

    Article • Musicae Scientiae, December 2025, SAGE Publications

    Prof Tuomas Eerola

  6. The Gendered Nature of Authorship in Music Psychology

    Article • December 2025, Center for Open Science

    Prof Tuomas Eerola

  7. Personalisation and profiling using algorithms and not-so-popular Colombian music: goal-directed mechanisms in music emotion recognition

    Article • EPJ Data Science, November 2025, Springer Science + Business Media

    Prof Tuomas Eerola

  8. The Effect of Rhythm Cycle Length, Cultural Familiarity, and Musicianship on Learning and Recall of North Indian Rhythmic Patterns

    Article • Auditory Perception & Cognition, November 2025, Taylor & Francis

    Prof Tuomas Eerola

  9. The perception of tension in harmonic intervals across Indian and Western listeners: the roles of psychoacoustics and musical expertise

    Article • Journal of New Music Research, November 2025, Taylor & Francis

    Dr Imre Lahdelma, Prof Tuomas Eerola

  10. Influence of Memory and Chunking Strategies in the Perception of Culturally Unfamiliar Long Rhythmic Cycles.

    Article • Routledge Open Research, October 2025, Faculty of 1000, Ltd.

    Prof Tuomas Eerola

  11. Discriminating Unfamiliar Long Rhythmic Cycles: Influence of Memory and Chunking

    Article • August 2025, Center for Open Science

    Prof Tuomas Eerola

  12. The Role of Cultural Familiarity, Musicianship and Explicit Learning in the Perception of Long Rhythmic Cycles.

    Article • June 2025, Center for Open Science

    Prof Tuomas Eerola

  13. Major-minorness in tonal music: Evaluation of relative mode estimation using expert ratings and audio-based key-finding principles

    Article • Psychology of Music, May 2025, SAGE Publications

    Prof Tuomas Eerola

  14. A Meta-Analysis of Music Emotion Recognition Studies

    Article • April 2025, Center for Open Science

    Prof Tuomas Eerola

  15. Auditory affective priming: The role of trait anxiety and stimulus type

    Article • Psychology of Music, March 2025, SAGE Publications

    Prof Tuomas Eerola

  16. Music as social surrogate? A qualitative analysis of older adults’ choices of music to alleviate loneliness

    Article • Musicae Scientiae, March 2025, SAGE Publications

    Prof Tuomas Eerola

  17. The Effect of Rhythmic Cycle Length, Cultural Familiarity, and Musicianship on The Perception of North Indian Rhythmic Patterns.

    Article • March 2025, Center for Open Science

    Prof Tuomas Eerola

  18. Gender, emotion regulation, and cognitive flexibility as predictors of depression, anxiety, and affect in healthy adults

    Article • Current Psychology, February 2025, Springer Science + Business Media

    Prof Tuomas Eerola

  19. The Effect of Rhythmic Cycle Length, Cultural Familiarity, and Musicianship on The Perception of North Indian Rhythmic Patterns.

    Article • February 2025, Center for Open Science

    Prof Tuomas Eerola

  20. What emotions does music express? Structure of affect terms in music using iterative crowdsourcing paradigm

    Article • PLOS One, January 2025, PLOS

    Prof Tuomas Eerola

  21. Prevalence of transparency and reproducibility-related research practices in music psychology (2017–2022)

    Article • Musicae Scientiae, December 2024, SAGE Publications

    Prof Tuomas Eerola

  22. Episode model: The functional approach to emotional experiences of music

    Article • Psychology of Music, October 2024, SAGE Publications

    Prof Tuomas Eerola

  23. The role of gender in emotional reactions elicited by music: Autonomic reactivity, facial expression, and self-reports

    Article • Musicae Scientiae, October 2024, SAGE Publications

    Prof Tuomas Eerola

  24. Analysis of Audio

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  25. Analysis of Scores and Performances

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  26. Corpus Studies

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  27. Empirical Music Research in the 21st Century

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  28. History

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  29. Introduction

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  30. Methods and Research Design

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  31. Music and Science

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  32. Organising and Summarising Data

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  33. Reflections, Challenges, and Future Prospects

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  34. Reporting and Craftsmanship

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  35. Sources of Information

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  36. Statistical Analysis

    Article • October 2024, Taylor & Francis

    Prof Tuomas Eerola

  37. Prevalence of Transparent Research Practices in Psychology: A Cross-Sectional Study of Empirical Articles Published in 2022

    Article • Advances in Methods and Practices in Psychological Science, October 2024, SAGE Publications

    Prof Tuomas Eerola

  38. Dissonance and Pleasantness: Testing the Contrast Effect Using Short Chord Sequences

    Article • September 2024, Center for Open Science

    Dr Imre Lahdelma, Prof Tuomas Eerola

  39. The Role of Cultural Familiarity, Musicianship and Explicit Learning in the Perception of Long Rhythmic Cycles.

    Article • July 2024, Center for Open Science

    Prof Tuomas Eerola

  40. Prevalence of transparent research practices in psychology: A cross-sectional study of empirical articles published in 2022

    Article • June 2024, Center for Open Science

    Prof Tuomas Eerola

  41. Episode model: The functional approach to emotional experiences of music

    Article • May 2024, Center for Open Science

    Prof Tuomas Eerola

  42. onsetsync: An R Package for Onset Synchrony Analysis

    Article • The Journal of Open Source Software, January 2024, The Open Journal

    Prof Tuomas Eerola

  43. Musical expertise better predictor of tension in harmonic intervals than psychoacoustics across North and South Indian listeners

    Article • December 2023, Center for Open Science

    Dr Imre Lahdelma, Prof Tuomas Eerola

  44. Major-minorness in Tonal music -- Evaluation of Relative Mode Estimation using Expert Ratings and Audio-Based Key-finding Principles

    Article • November 2023, Center for Open Science

    Prof Tuomas Eerola

  45. Culture influences conscious appraisal of but not automatic aversion to acoustically rough musical intervals

    Article • January 2023, Center for Open Science

    Dr Imre Lahdelma, Prof Tuomas Eerola

  46. Emotional expression through musical cues: A comparison of production and perception approaches

    Article • PLOS One, December 2022, PLOS

    Dr Annaliese Micallef Grimaud, Prof Tuomas Eerola

  47. Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?

    Article • Auditory Perception & Cognition, June 2022, Taylor & Francis

    Prof Tuomas Eerola

  48. Musical Enjoyment and Reward: From Hedonic Pleasure to Eudaimonic Listening

    Article • Behavioral Sciences, May 2022, MDPI AG

    Prof Tuomas Eerola

  49. The role of population size in folk tune complexity

    Article • Humanities and Social Sciences Communications, April 2022, Springer Science + Business Media

    Prof Tuomas Eerola

  50. An Interactive Approach to Emotional Expression Through Musical Cues

    Article • Music & Science, January 2022, SAGE Publications

    Dr Annaliese Micallef Grimaud, Prof Tuomas Eerola

  51. Register impacts perceptual consonance through roughness and sharpness

    Article • Psychonomic Bulletin & Review, December 2021, Springer Science + Business Media

    Dr Imre Lahdelma, Prof Tuomas Eerola

  52. Music evokes fewer but more positive autobiographical memories than emotionally matched sound and word cues.

    Article • Journal of Applied Research in Memory and Cognition, December 2021, American Psychological Association (APA)

    Kelly Jakubowski, Prof Tuomas Eerola

  53. The role of population size in folk tune complexity

    Article • October 2021, Center for Open Science

    Prof Tuomas Eerola

  54. Online Data Collection in Auditory Perception and Cognition Research: Recruitment, Testing, Data Quality and Ethical Considerations

    Article • Auditory Perception & Cognition, October 2021, Taylor & Francis

    Prof Tuomas Eerola

  55. Vigilance and social chills with music: Evidence for two types of musical chills.

    Article • Psychology of Aesthetics Creativity and the Arts, September 2021, American Psychological Association (APA)

    Prof Tuomas Eerola

  56. Being moved by listening to unfamiliar sad music induces reward‐related hormonal changes in empathic listeners

    Article • Annals of the New York Academy of Sciences, July 2021, Wiley

    Prof Tuomas Eerola

  57. Biology determines what sounds are unpleasant, but musical preference is culturally acquired

    Article • Annals of the New York Academy of Sciences, July 2021, Wiley

    Dr Imre Lahdelma, Prof Tuomas Eerola

  58. Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners

    Article • The Journal of the Acoustical Society of America, July 2021, Acoustical Society of America (ASA)

    Dr Imre Lahdelma, Prof Tuomas Eerola

  59. Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music

    Article • PLOS One, January 2021, PLOS

    Dr Imre Lahdelma, Prof Tuomas Eerola

  60. The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords

    Article • Music & Science, January 2021, SAGE Publications

    Dr Imre Lahdelma, Prof Tuomas Eerola

  61. Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances.

    Article • Psychomusicology Music Mind and Brain, December 2020, American Psychological Association (APA)

    Kelly Jakubowski, Prof Tuomas Eerola

  62. The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords

    Article • October 2020, Center for Open Science

    Dr Imre Lahdelma, Prof Tuomas Eerola

  63. Automatic Responses to Acoustically Rough Intervals: Evidence from a Word Evaluation task

    Article • August 2020, Center for Open Science

    Dr Imre Lahdelma, Prof Tuomas Eerola

  64. A Response to Michael Spitzer’s Commentary

    Article • July 2020, Center for Open Science

    Dr Imre Lahdelma, Prof Tuomas Eerola

  65. Everyday experience with music and musical training impact the pleasantness of consonance

    Article • Scientific Reports, May 2020, Springer Science + Business Media

    Dr Imre Lahdelma, Prof Tuomas Eerola

  66. Musical dissonance influences the perception of emotional words

    Article • Musicae Scientiae, March 2020, SAGE Publications

    Dr Imre Lahdelma, Prof Tuomas Eerola

  67. Reaction Time Data in Music Cognition: Comparison of Pilot Data From Lab, Crowdsourced, and Convenience Web Samples

    Article • Frontiers in Psychology, January 2020, Frontiers

    Prof Tuomas Eerola

  68. Exposure impacts the pleasantness of consonance/dissonance but not its perceived tension

    Article • December 2019, Center for Open Science

    Prof Tuomas Eerola, Dr Imre Lahdelma

  69. Coupled whole-body rhythmic entrainment between two chimpanzees

    Article • Scientific Reports, December 2019, Springer Science + Business Media

    Prof Tuomas Eerola

  70. EmoteControl

    Article • September 2019, ACM (Association for Computing Machinery)

    Dr Annaliese Micallef Grimaud, Prof Tuomas Eerola

  71. Interpersonal entrainment in Indian instrumental music performance: Synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure

    Article • Musicae Scientiae, July 2019, SAGE Publications

    Martin Clayton, Prof Tuomas Eerola

  72. Ambivalent Emotional Experiences of Art

    Article • SAGE Open, July 2019, SAGE Publications

    PhD Johanna Maksimainen, Prof Tuomas Eerola

  73. The role of hedonics in the Human Affectome

    Article • Neuroscience & Biobehavioral Reviews, July 2019, Elsevier

    Prof. Dr. Michael Noll-Hussong, MD, Prof Tuomas Eerola

  74. The Effect of Memory in Inducing Pleasant Emotions with Musical and Pictorial Stimuli

    Article • Scientific Reports, December 2018, Springer Science + Business Media

    Prof Tuomas Eerola

  75. Suppressing the Chills: Effects of Musical Manipulation on the Chills Response

    Article • Frontiers in Psychology, October 2018, Frontiers

    Prof Tuomas Eerola

  76. How listening to music and engagement with other media provide a sense of belonging: An exploratory study of social surrogacy

    Article • Psychology of Music, September 2018, SAGE Publications

    Prof Tuomas Eerola

  77. Towards a more explicit account of the transformation

    Article • Physics of Life Reviews, July 2018, Elsevier

    Prof Tuomas Eerola

  78. Music Communicates Affects, Not Basic Emotions – A Constructionist Account of Attribution of Emotional Meanings to Music

    Article • Frontiers in Psychology, February 2018, Frontiers

    Prof Tuomas Eerola

  79. Editorial: Music and the Functions of the Brain: Arousal, Emotions, and Pleasure

    Article • Frontiers in Psychology, February 2018, Frontiers

    Prof Tuomas Eerola

  80. Shared periodic performer movements coordinate interactions in duo improvisations

    Article • Royal Society Open Science, February 2018, Royal Society Publishing

    Prof Tuomas Eerola, Martin Clayton

  81. Incremental comprehension of pitch relationships in written music: Evidence from eye movements

    Article • Quarterly Journal of Experimental Psychology, January 2018, SAGE Publications

    Prof Tuomas Eerola

  82. Music and Emotions

    Article • January 2018, Springer Science + Business Media

    Prof Tuomas Eerola

  83. An Integrative Review of the Enjoyment of Sadness Associated with Music

    Article • Physics of Life Reviews, November 2017, Elsevier

    Prof Tuomas Eerola

  84. Age trends in musical preferences in adulthood: 3. Perceived musical attributes as intrinsic determinants of preferences

    Article • Musicae Scientiae, July 2017, SAGE Publications

    Arielle Bonneville-Roussy, Prof Tuomas Eerola

  85. Music-induced positive mood broadens the scope of auditory attention

    Article • Social Cognitive and Affective Neuroscience, April 2017, Oxford University Press (OUP)

    Prof Tuomas Eerola

  86. Group Rumination: Social Interactions Around Music in People with Depression

    Article • Frontiers in Psychology, April 2017, Frontiers

    Prof Tuomas Eerola

  87. Music and Its Inductive Power: A Psychobiological and Evolutionary Approach to Musical Emotions

    Article • Frontiers in Psychology, April 2017, Frontiers

    Prof Tuomas Eerola

  88. The Pleasure Evoked by Sad Music Is Mediated by Feelings of Being Moved

    Article • Frontiers in Psychology, March 2017, Frontiers

    Prof Tuomas Eerola

  89. Explaining the enjoyment of negative emotions evoked by the arts: The need to consider empathy and other underlying mechanisms of emotion induction

    Article • Behavioral and Brain Sciences, January 2017, Cambridge University Press

    Prof Tuomas Eerola

  90. Being Moved by Unfamiliar Sad Music Is Associated with High Empathy

    Article • Frontiers in Psychology, September 2016, Frontiers

    Prof Tuomas Eerola

  91. Expectancy-Violation and Information-Theoretic Models of Melodic Complexity

    Article • Empirical Musicology Review, July 2016, The Ohio State University Libraries

    Prof Tuomas Eerola

  92. Voice and movement as predictors of gesture types and physical effort in virtual object interactions of classical Indian singing

    Article • July 2016, ACM (Association for Computing Machinery)

    Prof Tuomas Eerola, Martin Clayton

  93. Memorable Experiences with Sad Music—Reasons, Reactions and Mechanisms of Three Types of Experiences

    Article • PLOS One, June 2016, PLOS

    Prof Tuomas Eerola

  94. Mildly dissonant chords are preferred more than maximally consonant ones.

    Article • i-Perception, June 2016, SAGE Publications

    Dr Imre Lahdelma, Prof Tuomas Eerola

  95. Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation

    Article • IEEE Transactions on Affective Computing, April 2016, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  96. Music-induced changes in functional cerebral asymmetries

    Article • Brain and Cognition, April 2016, Elsevier

    Prof Tuomas Eerola

  97. Fifty shades of blue: Classification of music-evoked sadness

    Article • Musicae Scientiae, February 2016, SAGE Publications

    Prof Tuomas Eerola

  98. It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons

    Article • Frontiers in Human Neuroscience, January 2016, Frontiers

    Prof Tuomas Eerola, Professor Thomas Jacobsen

  99. Theoretical Proposals on How Vertical Harmony May Convey Nostalgia and Longing in Music

    Article • Empirical Musicology Review, September 2015, The Ohio State University Libraries

    Prof Tuomas Eerola, Dr Imre Lahdelma

  100. Attitudes toward sad music are related to both preferential and contextual strategies.

    Article • Psychomusicology Music Mind and Brain, January 2015, American Psychological Association (APA)

    Prof Tuomas Eerola

  101. Single chords convey distinct emotions to listeners

    Article • Psychology of Music, October 2014, SAGE Publications

    Dr Imre Lahdelma, Prof Tuomas Eerola

  102. Semantic Computing of Moods Based on Tags in Social Media of Music

    Article • IEEE Transactions on Knowledge and Data Engineering, October 2014, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  103. Extramusical information contributes to emotions induced by music

    Article • Psychology of Music, September 2013, SAGE Publications

    Prof Tuomas Eerola

  104. Extended music education enhances the quality of school life

    Article • Music Education Research, August 2013, Taylor & Francis

    Prof Tuomas Eerola

  105. What makes music emotionally significant? Exploring the underlying mechanisms

    Article • Psychology of Music, August 2013, SAGE Publications

    Prof Tuomas Eerola

  106. Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags

    Article • July 2013, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  107. A Review of Music and Emotion Studies: Approaches, Emotion Models, and Stimuli

    Article • Music Perception An Interdisciplinary Journal, February 2013, University of California Press

    Prof Tuomas Eerola

  108. Universal and culture-specific factors in the recognition and performance of musical affect expressions.

    Article • Emotion, January 2013, American Psychological Association (APA)

    Prof Tuomas Eerola

  109. Review of Strong experiences with music: Music is much more than just music.

    Article • Psychomusicology Music Mind and Brain, January 2013, American Psychological Association (APA)

    Prof Tuomas Eerola

  110. Emotional expression in music: contribution, linearity, and additivity of primary musical cues

    Article • Frontiers in Psychology, January 2013, Frontiers

    Prof Tuomas Eerola

  111. Timbre and Affect Dimensions: Evidence from Affect and Similarity Ratings and Acoustic Correlates of Isolated Instrument Sounds

    Article • Music Perception An Interdisciplinary Journal, September 2012, University of California Press

    Prof Tuomas Eerola

  112. Formulating a Revised Taxonomy for Modes of Listening

    Article • Journal of New Music Research, June 2012, Taylor & Francis

    Prof Tuomas Eerola

  113. Enhancing genre-based measures of music preference by user-defined liking and social tags

    Article • Psychology of Music, May 2012, SAGE Publications

    Prof Tuomas Eerola

  114. Modeling Listeners’ Emotional Response to Music

    Article • Topics in Cognitive Science, March 2012, Wiley

    Prof Tuomas Eerola

  115. Who Enjoys Listening to Sad Music and Why?

    Article • Music Perception An Interdisciplinary Journal, February 2012, University of California Press

    Prof Tuomas Eerola

  116. Finnish Centre of Excellence in interdisciplinary music research, Finland.

    Article • Psychomusicology Music Mind and Brain, January 2012, American Psychological Association (APA)

    Prof Tuomas Eerola

  117. Can sad music really make you sad? Indirect measures of affective states induced by music and autobiographical memories.

    Article • Psychology of Aesthetics Creativity and the Arts, January 2012, American Psychological Association (APA)

    Prof Tuomas Eerola

  118. Looking Beyond Genres: Identifying Meaningful Semantic Layers from Tags in Online Music Collections

    Article • December 2011, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  119. Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres

    Article • Journal of New Music Research, December 2011, Taylor & Francis

    Prof Tuomas Eerola

  120. The role of mood and personality in the perception of emotions represented by music

    Article • Cortex, October 2011, Elsevier

    Prof Tuomas Eerola

  121. Design and evaluation of prosody-based non-speech audio feedback for physical training application

    Article • International Journal of Human-Computer Studies, October 2011, Elsevier

    Prof Tuomas Eerola

  122. Generalizability and Simplicity as Criteria in Feature Selection: Application to Mood Classification in Music

    Article • IEEE Transactions on Audio Speech and Language Processing, August 2011, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  123. Music and emotion

    Article • Musicae Scientiae, July 2011, SAGE Publications

    Prof Tuomas Eerola

  124. Measuring music-induced emotion

    Article • Musicae Scientiae, July 2011, SAGE Publications

    Prof Tuomas Eerola

  125. AMP: Artist-based musical preferences derived from free verbal responses and social tags

    Article • July 2011, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  126. Measuring Music-Induced Emotion: A Comparison of Emotion Models, Personality Biases, and Intensity of Experiences

    Article • Musicae Scientiae, July 2011, SAGE Publications

    Prof Tuomas Eerola

  127. Music and Emotion: Themes and Development

    Article • Musicae Scientiae, July 2011, SAGE Publications

    Prof Tuomas Eerola

  128. Modeling musical attributes to characterize ensemble recordings using rhythmic audio features

    Article • May 2011, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  129. Biased emotional recognition in depression: Perception of emotions in music by depressed patients

    Article • Journal of Affective Disorders, April 2011, Elsevier

    Prof Tuomas Eerola

  130. Biased Emotional Preferences in Depression: Decreased Liking of Angry and Energetic Music by Depressed Patients

    Article • Music and Medicine, January 2011, International Association for Music and Medicine

    Prof Tuomas Eerola

  131. Semantic structures of timbre emerging from social and acoustic descriptions of music

    Article • EURASIP Journal on Audio Speech and Music Processing, January 2011, Springer Science + Business Media

    Prof Tuomas Eerola

  132. A comparison of the discrete and dimensional models of emotion in music

    Article • Psychology of Music, August 2010, SAGE Publications

    Prof Tuomas Eerola

  133. Rhythmic engagement with music in infancy

    Article • Proceedings of the National Academy of Sciences, March 2010, Proceedings of the National Academy of Sciences

    Prof Tuomas Eerola

  134. AnalysingEmotions inSchubert'sErlkönig:aComputationalApproach

    Article • Music Analysis, March 2010, Wiley

    Prof Tuomas Eerola

  135. Leaping across Modalities: Speed Regulation Messages in Audio and Tactile Domains

    Article • January 2010, Springer Science + Business Media

    Prof Tuomas Eerola

  136. Full Reference Printed Image Quality: Measurement Framework and Statistical Evaluation

    Article • Journal of Imaging Science and Technology, January 2010, Society for Imaging Science & Technology

    Prof Tuomas Eerola

  137. Neural Discrimination of Nonprototypical Chords in Music Experts and Laymen: An MEG Study

    Article • Journal of Cognitive Neuroscience, November 2009, The MIT Press

    Prof Tuomas Eerola

  138. The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors

    Article • January 2009, Springer Science + Business Media

    Prof Tuomas Eerola

  139. Personality traits moderate the perception of music-mediated emotions

    Article • Frontiers in Human Neuroscience, January 2009, Frontiers

    Prof Tuomas Eerola

  140. Ingredients of emotional music: An overview of the features that contribute to emotions in music

    Article • Frontiers in Human Neuroscience, January 2009, Frontiers

    Prof Tuomas Eerola

  141. Exploring relationships between audio features and emotion in music

    Article • Frontiers in Human Neuroscience, January 2009, Frontiers

    Prof Tuomas Eerola

  142. Instrument Library (MUMS) Revised

    Article • Music Perception An Interdisciplinary Journal, February 2008, University of California Press

    Prof Tuomas Eerola

  143. Framework for modeling visual printed image quality from the paper perspective

    Article • January 2008, SPIE

    Prof Tuomas Eerola

  144. A Matlab Toolbox for Music Information Retrieval

    Article • January 2008, Springer Science + Business Media

    Prof Tuomas Eerola

  145. Commentary on "Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction" by Emilia Gómez, and Perfecto Herrera

    Article • Empirical Musicology Review, January 2008, The Ohio State University Libraries

    Prof Tuomas Eerola

  146. Music cognition research amidst the boreal forest

    Article • Cognitive Processing, January 2007, Springer Science + Business Media

    Prof Tuomas Eerola

  147. Perceived complexity of western and African folk melodies by western and African listeners

    Article • Psychology of Music, July 2006, SAGE Publications

    Prof Tuomas Eerola

  148. Autocorrelation in meter induction: The role of accent structure

    Article • The Journal of the Acoustical Society of America, January 2006, Acoustical Society of America (ASA)

    Prof Tuomas Eerola

  149. The Role of Melodic and Temporal Cues in Perceiving Musical Meter.

    Article • Journal of Experimental Psychology Human Perception & Performance, January 2004, American Psychological Association (APA)

    Prof Tuomas Eerola

  150. Statistical Features and Perceived Similarity of Folk Melodies

    Article • Music Perception An Interdisciplinary Journal, March 2001, University of California Press

    Prof Tuomas Eerola

  151. Beatlestudies 1: Songwriting, Recording, and Style Change. Edited by Yrjo Heinonen, Tuomas Eerola, Jouni Koskimaki, Terhi Nurmesjarvi and John Richardson. University of Jyvaskyla Department of Music, 1998. Research Reports, 19. Beatlestudies 2: History...

    Article • Popular Music, January 2001, Cambridge University Press

    Prof Tuomas Eerola

  152. Cross-cultural music cognition: cognitive methodology applied to North Sami yoiks

    Article • Cognition, July 2000, Elsevier

    Prof Tuomas Eerola

  153. Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioral, and Computational Approaches

    Article • Music Perception An Interdisciplinary Journal, December 1999, University of California Press

    Prof Tuomas Eerola

  154. Self-Report Measures and Models

    Article • July 1993, Oxford University Press (OUP)

    Prof Tuomas Eerola

  155. Visualization in comparative music research

    Article • Springer Science + Business Media

    Prof Tuomas Eerola

  156. Complexity

    Article • SAGE Publications

    Prof Tuomas Eerola

  157. Database Studies

    Article • SAGE Publications

    Prof Tuomas Eerola

  158. Melody Processing

    Article • SAGE Publications

    Prof Tuomas Eerola

  159. Similarity, Melodic

    Article • SAGE Publications

    Prof Tuomas Eerola

  160. An Investigation of Pre-Schoolers' Corporeal Synchronization with An External Timekeeper

    Article • American Psychological Association (APA)

    Prof Tuomas Eerola

  161. Chord Evaluation Scale

    Article • American Psychological Association (APA)

    Prof Tuomas Eerola, Dr Imre Lahdelma