All Stories

  1. Smooth as glass and hard as stone? On the conceptual structure of the aesthetics of materials.
  2. On the origin of visual symbols.
  3. Aesthetic emotions are a key factor in aesthetic evaluation: Reply to Skov and Nadal (2020).
  4. Settings, sensors, and tasks: Comment on Scherer, Trznadel, Fantini, and Coutinho (2019).
  5. Changes in room acoustics elicit a Mismatch Negativity in the absence of overall interaural intensity differences
  6. Cultural and Species Differences in Gazing Patterns for Marked and Decorated Objects: A Comparative Eye-Tracking Study
  7. The emotional and aesthetic powers of parallelistic diction
  8. Repair or Violation Detection? Pre-Attentive Processing Strategies of Phonotactic Illegality Demonstrated on the Constraint of g-Deletion in German
  9. Mapping the aesthetic space of literature “from below”
  10. Differences in the Visual Perception of Symmetric Patterns in Orangutans (Pongo pygmaeus abelii) and Two Human Cultural Groups: A Comparative Eye-Tracking Study
  11. It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons
  12. On the Role of Mentalizing Processes in Aesthetic Appreciation: An ERP Study
  13. Gaze Duration Biases for Colours in Combination with Dissonant and Consonant Sounds: A Comparative Eye-Tracking Study with Orangutans
  14. Towards a Psychological Construct of Being Moved
  15. Automatic detection of unattended changes in room acoustics
  16. Evidence for the role of German final devoicing in pre-attentive speech processing: a mismatch negativity study
  17. Sequential modulation of distractor-interference produced by semantic generalization of stimulus features
  18. Being moved: linguistic representation and conceptual structure
  19. Domain specificity and mental chronometry in empirical aesthetics
  20. Exploring conflict- and target-related movement of visual attention
  21. Conflict adjustment devoid of perceptual selection
  22. Discrimination of personally significant from nonsignificant sounds: A training study
  23. ‘I love Rock ‘n’ Roll’—Music genre preference modulates brain responses to music
  24. Irrelevant Stimulus Processing When Switching Between Tasks
  25. Mismatch Negativity (MMN) to successive deviants within one hierarchically structured auditory object
  26. Toward a Neural Chronometry for the Aesthetic Experience of Music
  27. On the electrophysiology of aesthetic processing
  28. Familiarity of environmental sounds is used to establish auditory rules
  29. Sequential Modulation of Cue Use in the Task Switching Paradigm
  30. Beyond Demand: Investigating Spontaneous Evaluation of Chord Progressions with the Affective Priming Paradigm
  31. Phonotactic constraint violations in German grammar are detected automatically in auditory speech processing: A human event-related potentials study
  32. Selective suppression of self-initiated sounds in an auditory stream: An ERP study
  33. A Functional MRI Study of Happy and Sad Emotions in Music with and without Lyrics
  34. Cognitive vs. affective listening modes and judgments of music – An ERP study
  35. Preattentive Phonotactic Processing as Indexed by the Mismatch Negativity
  36. Beauty and the brain: culture, history and individual differences in aesthetic appreciation
  37. 9. On the psychophysiology of aesthetics
  38. Aesthetic responses to music: A questionnaire study
  39. Subjective Appraisal of Music
  40. Electrophysiological Correlates of Aesthetic Music Processing
  41. Familiarity affects environmental sound processing outside the focus of attention: An event-related potential study
  42. Attenuated human auditory middle latency response and evoked 40-Hz response to self-initiated sounds
  43. Aesthetic evaluation of chord progressions in piano music
  44. Genuine MMN, memory-based comparison, and neural adaptation
  45. Aesthetic appreciation of music: Evidence from behavioral and electrophysiological studies.
  46. The obligatory phonotactic constraint of Dorsal Fricative Assimilation in German is activated and applied during automatic speech processing
  47. Tuning-in to the beat: Aesthetic appreciation of musical rhythms correlates with a premotor activity boost
  48. Violation of Expectation: Neural Correlates Reflect Bases of Prediction
  49. EVALUATION OF SCHOOL ARCHITECTURE POSTOCCUPANCY1
  50. Aesthetics of Streetscapes: Influence of Fundamental Properties on Aesthetic Judgments of Urban Space
  51. Aesthetics of Faces
  52. Does History Affect Aesthetic Preference? Kandinsky's Teaching of Colour-Form Correspondence, Empirical Aesthetics, and the Bauhaus
  53. Automatic detection of lexical change: an auditory event-related potential study
  54. MMN or no MMN: No magnitude of deviance effect on the MMN amplitude
  55. Localizing pre-attentive auditory memory-based comparison: Magnetic mismatch negativity to pitch change
  56. Personal significance is encoded automatically by the human brain: an event-related potential study with ringtones
  57. Electrophysiological indices of processing aesthetics: Spontaneous or intentional processes?
  58. Electrophysiological Indices of Processing Symmetry and Aesthetics
  59. Corrigendum to “Brain correlates of aesthetic judgment of beauty” [NeuroImage 29 (2006) 276–285]
  60. Bridging the Arts and Sciences: A Framework for the Psychology of Aesthetics
  61. Brain correlates of aesthetic judgment of beauty
  62. Familiarity Affects the Processing of Task-irrelevant Auditory Deviance
  63. Memory-based or afferent processes in mismatch negativity (MMN): A review of the evidence
  64. Pre-attentive categorization of vowel formant structure in complex tones
  65. Pre-attentive perception of vowel phonemes from variable speech stimuli
  66. THE PRIMACY OF BEAUTY IN JUDGING THE AESTHETICS OF OBJECTS1
  67. Mismatch negativity to frequency changes: no evidence from human event-related brain potentials for categorical speech processing of complex tones resembling vowel formant structure
  68. Kandinsky's Color-Form Correspondence And The Bauhaus Colors: An Empirical View
  69. Individual and group modelling of aesthetic judgment strategies
  70. Input to Verbal Working Memory
  71. THE PRIMACY OF BEAUTY IN JUDGING THE AESTHETICS OF OBJECTS
  72. Descriptive and evaluative judgment processes: Behavioral and electrophysiological indices of processing symmetry and aesthetics
  73. Electrical Brain Responses to Descriptive versus Evaluative Judgments of Music
  74. Preattentive Memory-Based Comparison of Sound Intensity
  75. Mismatch negativity to pitch change: varied stimulus proportions in controlling effects of neural refractoriness on human auditory event-related brain potentials
  76. Measuring duration mismatch negativity
  77. TEMPORAL STABILITY AND CONSISTENCY OF AESTHETIC JUDGMENTS OF BEAUTY OF FORMAL GRAPHIC PATTERNS
  78. AESTHETIC JUDGMENTS OF NOVEL GRAPHIC PATTERNS: ANALYSES OF INDIVIDUAL JUDGMENTS
  79. KANDINSKY'S QUESTIONNAIRE REVISITED: FUNDAMENTAL CORRESPONDENCE OF BASIC COLORS AND FORMS?
  80. Visual marking for search: behavioral and event-related potential analyses
  81. AESTHETIC JUDGMENTS OF NOVEL GRAPHIC PATTERNS: ANALYSES OF INDIVIDUAL JUDGMENTS
  82. KANDINSKY'S QUESTIONNAIRE REVISITED: FUNDAMENTAL CORRESPONDENCE OF BASIC COLORS AND FORMS?
  83. Facilitation of visual search at new positions: a behavioral and ERP study of new object capture
  84. Is there pre-attentive memory-based comparison of pitch?
  85. Is there pre-attentive memory-based comparison of pitch?
  86. Buchbesprechung
  87. Effects of consciousness on human brain waves following binocular rivalry
  88. Counterfactual processing: Test of an hierarchical correspondence model
  89. Film Clip Questionnaire
  90. Automatic Encoding of Personal Significance by the Human Brain: An ERP Study With Ringtones
  91. The Effects of Sound Familiarity on the Electrophysiological Components of Pre-Attentive Auditory Processing
  92. Separate Auditory Mechanisms Detect Personal Significance and Physical Deviance - Evidence from ERPs