All Stories

  1. Noninvasive Analytical and Diagnostic Technologies for Studying Early Renaissance Wall Paintings
  2. JAIC special issue on “Reflectance hyperspectral imaging to support documentation and conservation of 2D artworks”
  3. Short-wave infrared reflectance hyperspectral imaging for painting investigations: A methodological study
  4. Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques
  5. UV-Vis spectroscopy
  6. The ageing of model pigment/linseed oil systems studied by means of vibrational spectroscopies and chemometrics
  7. The illuminated manuscript Corale 43 and its attribution to Beato Angelico: Non-invasive analysis by FORS, XRF and hyperspectral imaging techniques
  8. Guest Editorial: Special Issue on THz Radiation Applied to Cultural Heritage
  9. Contemporary artists' spinel pigments: Non-invasive characterization by means of electronic spectroscopy
  10. Vis-NIR Hyperspectral and Terahertz Imaging Investigations on a Fresco Painting on “Tavella” by Alessandro Gherardini
  11. Investigation on water content in fresco mock-ups in the microwave and near-IR spectral regions
  12. When It Is Not Only About Color: The Importance of Hyperspectral Imaging Applied to the Investigation of Paintings
  13. Insights on the Side Panels of the Franciscan Triptych by Fra Angelico Using Terahertz Time-Domain Imaging (THz-TDI)
  14. Discovering “The Italian Flag” by Fernando Melani (1907–1985)
  15. Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts
  16. Fra Angelico’s painting technique revealed by terahertz time-domain imaging (THz-TDI)
  17. Non-invasive Florentine Renaissance Panel Painting Replica Structures Investigation by Using Terahertz Time-Domain Imaging (THz-TDI) Technique
  18. A new 3D THz scanner for the THz-ARTE project
  19. Keith Haring in Pisa and Melbourne: Controversy and conservation
  20. Pre-hispanic pigments and Italian renaissance designs at Spanish colonial missions churches in Northern Mexico
  21. The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints
  22. Multivariate analysis of combined reflectance FT-NIR and micro-Raman spectra on oil-paint models
  23. Study of semi-synthetic plastic objects of historic interest using non-invasive total reflectance FT-IR
  24. Experimental study on merits of virtual cleaning of paintings with aged varnish
  25. An integrated multi-medial approach to cultural heritage conservation and documentation: from remotely-sensed lidar imaging to historical archive data
  26. Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique
  27. Multivariate Analysis of Combined Fourier Transform Near-Infrared Spectrometry (FT-NIR) and Raman Datasets for Improved Discrimination of Drying Oils
  28. Hyperspectral remote sensing techniques applied to the noninvasive investigation of mural paintings: a feasibility study carried out on a wall painting by Beato Angelico in Florence
  29. Test measurements on a secco white-lead containing model samples to assess the effects of exposure to low-fluence UV laser radiation
  30. Anselm Kiefer: a study of his artistic materials
  31. Accuracy in Colour Reproduction: Using a ColorChecker Chart to Assess the Usefulness and Comparability of Data Acquired with Two Hyper-Spectral Systems
  32. Obtaining noninvasive stratigraphic details of panel paintings using terahertz time domain spectroscopy imaging system
  33. A multidisciplinary approach to the investigation of “La Caverna dell’Antimateria” (1958–1959) by Pinot Gallizio
  34. Terahertz and millimetre wave imaging for wall painting investigation
  35. Terahertz and millimetre wave imaging for wall painting investigation
  36. A millimeter wave/terahertz 3D scanner for wall painting investigation
  37. Comparative Study of Fourier Transform Infrared Spectroscopy in Transmission, Attenuated Total Reflection, and Total Reflection Modes for the Analysis of Plastics in the Cultural Heritage Field
  38. A Spectroscopic Study of Brazilwood Paints in Medieval Books of Hours
  39. Terahertz time domain imaging for cultural heritage
  40. Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry
  41. Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection
  42. Chemical curing in alkyd paints: An evaluation via FT-IR and NMR spectroscopies
  43. Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes
  44. Study of the effects of low-fluence laser irradiation on wall paintings: Test measurements on fresco model samples
  45. Fibre Optic Reflectance Spectroscopy as a non-invasive tool for investigating plastics degradation in contemporary art collections: A methodological study on an expanded polystyrene artwork
  46. Extending hyperspectral imaging from Vis to NIR spectral regions: a novel scanner for the in-depth analysis of polychrome surfaces
  47. Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis