What is it about?
Artistic and political uses of Shakespeare in Soviet culture and ideology after the October Revolution in 1917.
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Why is it important?
As scholars and critics, we can learn a great deal about the politics of literary interpretation by studying the encounter between Shakespeare’s works and cultures that are far removed from the context in which the playwright worked. In Stalinist Russia, just a few years before the Great Purges, Maxim Gorkii encouraged USSR writers during an All-Union Congress of Soviet Writers in 1934 to emulate Shakespeare as a model of socialist realism. This is only one of the better-known landmarks of Shakespeare’s afterlife in the Soviet cultural sphere. While there were ideologically homogeneous approaches to Shakespeare, there were also debates about the value of Shakespeare after the First World War.
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This page is a summary of: The Shakespearean International Yearbook, June 2020, Taylor & Francis,
DOI: 10.4324/9781003048763.
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