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Written partly from an auto-ethnographic, experience-based perspective, the article foreground tango’s choreography of otherness, relationality, passion and playful improvisation in an attempt to elaborate on tango’s significance as a dance of intimate resistance to political economy.

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This page is a summary of: Between Commodification and Emancipation: The Tango Encounter, Dance Research, May 2017, Edinburgh University Press,
DOI: 10.3366/drs.2017.0182.
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