What is it about?
The short essay published in a book on new Chinese landscape architecture highlights the differences between traditional Chinese and European conceptions of 'landscape.' Following the etymology of the Chinese terms associated with landscape, the essay highlights that the Chinese idea of landscape includes the exchange and nurturing of emotions. Highlighting that human participant-observers are emotionally embedded in the idea of landscape, the article provides a basis for a new understanding of Chinese landscape architecture.
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Why is it important?
The essay provides an important theoretical contextualisation for the work of the eight contemporary Chinese landscape architecture practices presented in this book.
Perspectives
'[..] flowing with the waters, halting with the mountains. In the images of light and wind the ephemeral is inscribed. Time is part of space. The scene performs.' The short essay was deliberately written in a poetic rather than academic style to reflect the emotional character of the Chinese concept of landscape. The American Society of Landscape Architects lists the book 'New Horizons: Eight Perspectives on Chinese Landscape Architecture Today,' in which this essay is included, as one of the best books of 2020.
Dr. Claudia Westermann
Xi'an Jiaotong-Liverpool University
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This page is a summary of: Chinese Landscape Aesthetics, October 2020, De Gruyter,
DOI: 10.1515/9783035621495-004.
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