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This article analyzes the relationship between printmaking and writing in the novels of Jules and Edmond de Goncourt. As practicing etchers during the 1860s etching revival in France, the Goncourt brothers' firsthand experience with printmaking offers a new perspective into the structure and style of the 19th-century French novel.

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This page is a summary of: The Needle and the Pen: Etching and the Goncourt Brothers’ Novels, Nineteenth Century French Studies, January 2020, Project Muse,
DOI: 10.1353/ncf.2020.0000.
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