What is it about?

This article analyses Britain’s remarkable performance in the European television marketplace. In the space of a few years the UK has risen to become the world’s leading exporter of TV formats and the world’s second exporter, behind the Unites States, of finished TV programmes. The first section compares and contrasts British TV exports data with that of France, before examining the emergence of London as Europe’s media hub. The second part argues that this significant progress is essentially due to deft policy making. In 2003, the British government operated a strategic shift in favour of content producers and created a new intellectual property regime. This regime has enabled producers to keep hold of their rights and become asset-owning businesses, eventually giving rise to a new breed of production companies: the super-indies. This paper shows how these super-indies have acquired the scale to compete in an international TV market and drive today’s British TV exports.

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This page is a summary of: The rise of Britain’s super-indies: Policy-making in the age of the global media market, International Communication Gazette, December 2010, SAGE Publications,
DOI: 10.1177/1748048510380800.
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