What is it about?

Flannery O'Connor was fascinated by the idea of the dark night of the soul. In her 1956 story "Greenleaf" she incorporated ideas related to this topic from the Song of Songs, St. John of the Cross, and Evelyn Underhill.

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Why is it important?

Although Flannery O'Connor once claimed "I am not a mystic," her writing engages pervasively with spiritual mystery. Catholicism shaped her spiritual vision but, perhaps remarkably, did not limit it. She understood that God is neither an inaccessible being nor just an idea. For O'Connor God invites all humans into intimate relationship irrespective of faith or lack of faith. O'Connor's character Mrs. May in "Greenleaf" epitomizes this idea: anyone can be a mystic. Anyone lost in a spiritual dark night might experience a shock of illumination.

Perspectives

In her Prayer Journal, Flannery O'Connor pleaded with God, "Please help me to get down under things and find where you are," and later, "make me a mystic, immediately." Throughout her remaining years, O'Connor recounted the spiritual journeys of unlikely mystics in her most famous fictions: the irritating Grandmother in "A Good Man Is Hard to Find," the abandoned boy Harry Ashfield in "The River," the self-righteous Ruby Turpin in "Revelation," and the subject of my essay, Mrs. May in "Greenleaf." Mrs. May is a Christian in name only, but her divine Lover comes courting anyway in the form of an escaped scrub bull. He pursues his Beloved over the course of the narrative, in league with O'Connor's disembodied, third-person narrative voice. God meets Mrs. May where she is and insists on an ultimate, violent union. She personifies an answer to O'Connor's early prayer; the story of "Greenleaf" makes the unwitting Mrs. May a mystic, immediately.

George Piggford, C.S.C.
Stonehill College

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This page is a summary of: Mrs. May’s Dark Night in Flannery O’Connor’s “Greenleaf”, Christianity & Literature, August 2016, SAGE Publications,
DOI: 10.1177/0148333116631226.
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