What is it about?

The article explores 'songwriting camps', which are a contemporary form of collaborative music creation. These camps are primarily initiated by record labels, music publishers, producers, and enthusiasts. Musicians in these camps come together to produce songs for various purposes, ranging from commercial exploitation to self-actualization. The article delves into the origins of industrialized songwriting, collaborative songwriting practices, and current perspectives on creativity and copyright. Its aim is to investigate how songwriting camps relate to commercial songwriting practices in popular music since the early twentieth century. The article finds that songwriting camps have a proven track record of producing commercially successful pop songs. Songwriters also view these camps as beneficial for their career development, skill enhancement, networking, industry contacts, and royalty income generation. It argues that while songwriting camps have adapted to the post-industrial age, where digital music creation tools aid musicians, they owe more to the past than is generally acknowledged. Songwriting camps can be seen as microcosms that exhibit many of the same tensions, strategies, goals, and relationships as past structures like the Brill Building era or organizations like Motown. These camps draw on features from historical examples, such as strategic, time-limited collaboration, clearly defined roles, friendly competition among writers, and group evaluation.

Featured Image

Why is it important?

This research is important because it sheds light on popular and successful modes of songwriting, which form the foundation for much of today's popular music production. It contextualises the practice of collaboration in popular music songwriting and production, showing how contemporary practices draw on an old tradition in popular music while adapting to societal trends. It may be easy to dismiss songwriting camps and formalised arrangements of song creation as industrial and impersonal, but doing so would overlook many of the benefits they provide for the music industries, professional creatives, recording artists, and fans. Although not without issues, songwriting camps are a success story and a regular part of today's popular music industry.

Read the Original

This page is a summary of: ‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age, Creative Industries Journal, June 2024, Taylor & Francis,
DOI: 10.1080/17510694.2024.2366163.
You can read the full text:

Read

Contributors

The following have contributed to this page