What is it about?

This article traces the diverse (and sometimes nefarious) activities of sexploitation production-distribution company Cambist Films, revealing its vital importance to historical developments in American independent cinema in the 1960s and 1970s.

Featured Image

Read the Original

This page is a summary of: “More than Rutting Bodies”: Cambist Films, Quality Independents, and the “Lost” Films of George A. Romero, Journal of Popular Film and Television, April 2018, Taylor & Francis,
DOI: 10.1080/01956051.2017.1423018.
You can read the full text:

Read

Contributors

The following have contributed to this page