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This article makes the case for the utility of an aesthetic approach to the archaeological record. The case of an archaeology of African slavery on Jesuit vineyards in colonial Peru is offered to explore nuances in power and the production of enslaved subjectivities that become visible through a consideration of aesthetic fields.

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This page is a summary of: An Archaeology of the Aesthetic: Slavery and Politics at the Jesuit Vineyards of Nasca, Cambridge Archaeological Journal, October 2020, Cambridge University Press,
DOI: 10.1017/s0959774320000293.
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