All Stories

  1. Architectural Polychromy on the Athenian Acropolis: An In Situ Non-Invasive Analytical Investigation of the Colour Remains
  2. Review and New Evidence on the Molluscan Purple Pigment Used in the Early Late Bronze Age Aegean Wall Paintings
  3. Advanced analytical investigation on degradation markers in wall paintings
  4. Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation
  5. The identification of lac as a pigment in ancient Greek polychromy - The case of a Hellenistic oinochoe from Canosa di Puglia
  6. The effect of TiO2 component on the properties of acrylic and urea-aldehyde resins under accelerated ageing conditions
  7. A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy
  8. Micro FTIR imaging for the investigation of deteriorated organic binders in wall painting stratigraphies of different techniques and periods
  9. Improving FTIR imaging speciation of organic compound residues or their degradation products in wall painting samples, by introducing a new thin section preparation strategy based on cyclododecane pre-treatment
  10. Physicochemical characterization and provenance of colouring materials from Akrotiri-Thera in relation to their archaeological context and application
  11. Evaluation of the effect of six different paint cross section preparation methods on the performances of Fourier Transformed Infrared microscopy in attenuated total reflection mode
  12. Corrections to Special Issue on Art Conservation
  13. Lead pigments and related tools at Akrotiri, Thera, Greece. Provenance and application techniques
  14. Material Aspects of Icons. A Review on Physicochemical Studies of Greek Icons
  15. Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers
  16. Microanalytical investigation of degradation issues in Byzantine wall paintings
  17. Analytical study into El Greco’s baptism of Christ: clues to the genius of his palette
  18. Chapter 12 Diagnostic methodology for the examination of Byzantine frescoes and icons. Non-destructive investigation and pigment identification
  19. Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece