All Stories

  1. Comment on "Early evidence for symbolic behavior in the Levantine Middle Paleolithic: A 120 ka old engraved aurochs bone shaft from the open-air site of Nesher Ramla, Israel" [Quat. Int. (2021) https://doi.org/10.1016/j.quaint.2021.01.002]
  2. Upper Palaeolithic art as a perceptual search for magical images
  3. Neuroimaging does not support the representational nature of the earliest human engravings: comment on Mellet et al.(2019)
  4. The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art
  5. Closely Observed Animals, Hunter-Gatherers and Visual Imagery in Upper Palaeolithic Art
  6. Closely Observed Animals, Hunter-Gatherers, and Visual Imagery in Upper Paleolithic Art
  7. Art as a signal for promoting large population cohesiveness
  8. Early Engravings Structured by Accidental Made Patterns
  9. Are there alternative adaptive strategies to human pro-sociality? The role of collaborative morality in the emergence of personality variation and autistic traits
  10. The visual brain and the early depiction of animals in Europe and Southeast Asia
  11. Symmetry, Handaxes and Cognition
  12. The arts analyzed from the perspective of biological and cultural evolution.
  13. Accurate Portrayal of Spotted Horses in Upper Paleolithic Cave Art
  14. Decoding the Blombos Engravings, Shell Beads and Diepkloof Ostrich Eggshell Patterns
  15. Commentary on Turing instabilities and symbolic material culture by Froese, Woodward and Ikegami
  16. Rapid detection of salient animal features encoded in the visual brain also found in rock art
  17. The Relationship between Cognition, Population Rates and Material Culture in Human Evolution
  18. Differentiating human behavior from other higher primates in the context of environmental issues.
  19. Accommodating Opposing Perspectives in the “Modern Human Behavior” Debate
  20. Emanations of the Mind: Upper Paleolithic Art as a Visual Phenomenon
  21. Wild Thing, I Think I Love You
  22. Symmetry in Stone Tools as the First Example of an Aesthetic Interest
  23. Population, Cognition, and Early Human Behavior
  24. Reality check of the Steven Mithen's explanation of the large symmetrical Acheulean handaxes
  25. The relationship between the visual cortex, perception, and the shape of Acheulean handaxes
  26. The Role of Perception in Understanding Cave Art
  27. Altered States of Consciousness and Palaeoart: an Alternative Neurovisual Explanation
  28. More on Acheulean Tools
  29. Camouflage, the early visual brain, detection of animals, fractals and abstract expressionist art.
  30. Preconscious processes bias preferences for animals in Paleolithic cave art
  31. How the way the child's brain functions influences the drawing of objects
  32. Shamanism, Phosphenes, and Early Art: An Alternative Synthesis