All Stories

  1. Creative AI: Prompting Portraits and Matching Datasets
  2. Review: The Archive of Forgetfulness
  3. Between Eco-Anxiety and Solastalgia: Aspirational and Exiled Astronaut Eco-Imaginaries
  4. INTER(FACING) PERSONAS
  5. Performing the virtual double
  6. Introduction
  7. Balancing Act
  8. In Vain
  9. Approaching the Unknown
  10. Running-As-If
  11. Up in the Air
  12. Into the Void
  13. Art, the Sublime, and Movement
  14. Correction
  15. Approaching Aby Warburg and Digital Art History
  16. Astronaut Space Selfies
  17. Oversharing in the time of selfies: an aesthetics of disappearance?
  18. Art South Africa
  19. Voices from the South: Digital Arts and Humanities
  20. Digital Scholarship and Representations of the Self: Exploratory Notes
  21. Hysterical Representation in the Art of Mary Sibande
  22. Sublime selfies: To witness death
  23. Why collecting machines is important for understanding film history
  24. When Selfies Turn into Online $$Doppelg\ddot{a}ngers$$ D o p p e l g a ¨ n g e r s : From Double as Shadow to Double as Alter Ego
  25. Re-imagining place, home and belongingUp in the Air
  26. The Marikana Massacre: Seeing it All
  27. Book Reviews
  28. The role of memes in the construction of Facebook personae
  29. THE RHETORICS OF THE eXtreme
  30. Mitchell, W. J. T., Cloning Terror: The War of Images, 9/11 to the Present, University of Chicago Press, Chicago, 2011. ISBN: 987-0-226-53260-8, 256 pp., US$22.50.
  31. Editorial
  32. Editorial
  33. Remembering Juliet Armstrong
  34. ‘Material girls’: lingering in the presence of the material sublime
  35. Book Reviews
  36. The sublime and the cultures of the extreme: An exploration
  37. Through the Empire's Eyes: Engaging the Gaze
  38. Rekspring en die eKstreme sublieme
  39. Putting on appearances: Mimetic representations of hysteria
  40. Virtual Babes: gender, archetypes and computer games
  41. ‘No more I love yous’: moving into the twilight zone with Tracy Payne's gender-(in)betweeners
  42. Oversharing in the time of selfies: