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This essay examines the role of the carnivalesque in three performances of protest during the antigovernment street protests in Bulgaria in 2013. They represent a form of protest that symbolically inverts the established rituals of a political regime unwilling to recognize the voice of the people in an allegedly democratic nation-state. My analysis intersects scholarship on the rhetoric of social movements, carnivalesque performances of protest, and the rhetorical force of iconic images of protest. Through my analysis I reveal how the carnivalesque allowed activists to move beyond the norms of democratic dissent in their protests against governmental oppression.

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This page is a summary of: Twenty-five years of democracy, twenty-five years of social protest: The role of the carnivalesque in Bulgaria’s 2013 antigovernment protests, Journal of International and Intercultural Communication, December 2016, Taylor & Francis,
DOI: 10.1080/17513057.2016.1267254.
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